I have a new work, telephone to speak with the dead, in a group show opening this Thursday June 18 in Chelsea in New York. The phone, alongside Edison’s patents and other documents, will be available for use.
Hope to see you soon…
AC [ Institute Direct Chapel ]
Presents A New Group Exhibition:
Tone and Temperament
Curated by Sophie Landres
June 18 – July 18, 2009 / Opening: Thursday, June 18, 6-8pm
AC [Institute Direct Chapel] is pleased to present Tone and Temperament, a group-exhibition that considers the temporal and expandable material of sound. Curated by Sophie Landres and in collaboration with the eight participating artists, this exhibition concentrates on sound as a condition for personal, social, political and metaphysical experience. In addition to the permanent fixtures in the gallery, performances will be scheduled to occur throughout the duration of the exhibition.
Tone and Temperament was conceived as an opportunity to explore literal and conceptual ideas of harmony versus discordance and innocence versus criminality that subsist within the framework of conflicting social norms and art historical precedents. The exhibition was regarded as a conduit for inconclusive experiments in redistricting discursive boundaries and expanding aesthetic properties. Despite sound’s reflexive predilection for interference, the participants created pieces either in response to the exhibition site or with the ambition that their work could co-exist within spatial proximity, without jeopardizing individual content. Though many of the pieces violate prevailing notions of harmony and composition, the refusal to abide is a victimless crime, motivated by a congenial faith in plurality. Allowing sound to flow without bleeding or hemorrhaging, we hope to maintain numerous elements in a constellate connection, free to generate their own alliance of possible meanings.
Chris Bors complicates the act of listening by juxtaposing pop-psychology relaxation techniques with a pop-cultural response to trauma. Jennie C. Jones stretches notes and manipulates tones to reconfigure musical history and exhume emotional content. In a sculpture that references both the harmony of the spheres and the politics of knowledge, Zach Layton uses looping phase structures to create an internally conflicting “chamber music” of the self. Audio recordings and corresponding images by Terry Nauheim describe imagined and site-specific geographies and measure the physical form of sounds against their content, examining how memory and objects are equally subject to decay. Exploring the theory of electronic voice phenomena Daniel Perlin utilizes Thomas Edison’s lost schemata to build a telephone that can speak with the dead. Through the visualization and sonification of Arctic data and electromagnetic lightening transmissions, Andrea Polli and Joe Gilmore express the fragility and interconnectedness of the global ecosystem. Mike Skinner enlists the viewer’s body in acts of compositional terrorism, working with mirrors and parabolic reverberating sine waves to demonstrate how the occupation of space can be an oppositional force.
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